World Music and Digital Legacy
Brian Eno wrote of Lomax's later recording career in his notes to accompany an anthology of Lomax's world recordings:
turned his intelligent attentions to music from many other parts of the world, securing for them a dignity and status they had not previously been accorded. The "World Music" phenomenon arose partly from those efforts, as did his great book, Folk Song Style and Culture. I believe this is one of the most important books ever written about music, in my all time top ten. It is one of the very rare attempts to put cultural criticism onto a serious, comprehensible, and rational footing by someone who had the experience and breadth of vision to be able to do it."
In January 2012, the American Folklife Center at the Library of Congress, with the Association for Cultural Equity, announced that they would release Lomax's vast archive in digital form. Lomax spent the last 20 years of his life working on an interactive multimedia educational computer project he called the Global Jukebox, which included 5,000 hours of sound recordings, 400,000 feet of film, 3,000 videotapes, and 5,000 photographs. By February 2012, 17,000 music tracks from his archived collection were expected to be made available for free streaming, and later some of that music may be for sale as CDs or digital downloads. As of March, 2012 this has been accomplished. Approximately 17,400 of Lomax's recordings from 1946 and later have been made available free online. This is material from Alan Lomax’s independent archive, begun in 1946, which has been digitized and offered by the Association for Cultural Equity. This is "distinct from the thousands of earlier recordings on acetate and aluminum discs he made from 1933 to 1942 under the auspices of the Library of Congress. This earlier collection — which includes the famous Jelly Roll Morton, Woody Guthrie, Lead Belly, and Muddy Waters sessions, as well as Lomax’s prodigious collections made in Haiti and Eastern Kentucky (1937) — is the provenance of the American Folklife Center" at the library of Congress.
On August 24, 1997 at a concert at Wolf Trap, Vienna, Virginia, Bob Dylan had this to say about Lomax, who had helped introduce him to folk music and whom he had known as a young man in Greenwich Village :
There is a distinguished gentlemen here who came … I want to introduce him – named Alan Lomax. I don’t know if many of you have heard of him Yes, he’s here, he’s made a trip out to see me. I used to know him years ago. I learned a lot there and Alan … Alan was one of those who unlocked the secrets of this kind of music. So if we’ve got anybody to thank, it’s Alan. Thanks, Alan.”
Read more about this topic: Alan Lomax
Famous quotes containing the words world, music and/or legacy:
“One of the most significant effects of age-segregation in our society has been the isolation of children from the world of work. Whereas in the past children not only saw what their parents did for a living but even shared substantially in the task, many children nowadays have only a vague notion of the nature of the parents job, and have had little or no opportunity to observe the parent, or for that matter any other adult, when he is fully engaged in his work.”
—Urie Bronfenbrenner (b. 1917)
“He turned out to belong to the type of publisher who dreams of becoming a male muse to his author, and our brief conjunction ended abruptly upon his suggesting I replace chess by music and make Luzhin a demented violinist.”
—Vladimir Nabokov (18991977)
“What is popularly called fame is nothing but an empty name and a legacy from paganism.”
—Desiderius Erasmus (c. 14661536)