Alabama Stage and Screen Hall of Fame

Alabama Stage And Screen Hall Of Fame

The Alabama Stage and Screen Hall of Fame was founded in 1998 for the purpose of honoring Alabamians who have made significant contributions to film, television or theatre. The organization is sponsored jointly by Theatre Tuscaloosa and Shelton State Community College in Tuscaloosa, Alabama.

Read more about Alabama Stage And Screen Hall Of Fame:  First Inductees, Subsequent Inductees, External References and Links

Famous quotes containing the words alabama, stage, screen, hall and/or fame:

    Oh! Susanna, do not cry for me;
    I come from Alabama with my banjo on my knee.
    Stephen Collins Foster (1826–1864)

    Their rebukes have never made me angry, because I have always wondered why they did not rebuke me more. They should have. Their friendly praise has been one of the sweetest, most warming things in my life in the theater. I do go on the stage unafraid of them and with love in my heart for them.
    Minnie Maddern Fiske (1865–1932)

    Every obstruction of the course of justice,—is a door opened to betray society, and bereave us of those blessings which it has in view.... It is a strange way of doing honour to God, to screen actions which are a disgrace to humanity.
    Laurence Sterne (1713–1768)

    I may be able to spot arrowheads on the desert but a refrigerator is a jungle in which I am easily lost. My wife, however, will unerringly point out that the cheese or the leftover roast is hiding right in front of my eyes. Hundreds of such experiences convince me that men and women often inhabit quite different visual worlds. These are differences which cannot be attributed to variations in visual acuity. Man and women simply have learned to use their eyes in very different ways.
    —Edward T. Hall (b. 1914)

    To anybody who can hold the Present at its worth without being inappreciative of the Past, it may be forgiven, if to such an one the solitary old hulk at Portsmouth, Nelson’s Victory, seems to float there, not alone as the decaying monument of a fame incorruptible, but also as a poetic approach, softened by its picturesqueness, to the Monitors and yet mightier hulls of the European ironclads.
    Herman Melville (1819–1891)