Al Dempsey - Published Works

Published Works

  • Phase of Darkness, (co-written with Robin Moore) Third Press, 1974.
  • The London Switch, (co-written with Robin Moore) Pinnacle Books, 1974
  • The Red Falcons, (co-written with Robin Moore) Pinnacle Books, 1976
  • Dog Kill, Prentice Hall, 1976.
  • The London Connection: Pulsar No. 1, (co-written with Robin Moore) Severn House, 1980
  • The Italian Connection: Pulsar No. 2, (co-written with Robin Moore) Severn House, 1981
  • Miss Finney Kills Now and Then, Tom Doherty Associates, LLC, 1982
  • The Stendal Raid, Critics Choice Paperbacks/Lorevan Publishing, Inc., 1985, ISBN 0-931773-17-2
  • Copper, Tom Doherty Associates, LLC, 1989. Story of Butte, Montana, in the 1880s. Butte was the site of a large copper mine, and the entrepreneurs known as the Copper Kings.
  • What Law There Was, Tom Doherty Associates, LLC, 1991, ISBN 0-312-85113-8. Based on a true story, this novel of the gold rush in Montana covers the rise of an organized crime gang called the "Innocents", led by sheriff Henry Plumber. The Innocents robbed, murdered and terrorized the community until an organized vigilante group attacked them with late-night visits and anonymous hangings.
  • Path of the Sun, Tor Books, 1992, ISBN 0-312-85403-X. The United States in the 1880s.
  • Pika Don, Tor Books, 1993, ISBN 0-8125-0939-0. The Japanese use an atomic bomb on the U.S. for revenge.
  • American Empire Oil, Tom Doherty Associates, LLC, ISBN 0-312-93167-0
  • American Empire Beef, Tom Doherty Associates, LLC, ISBN 0-312-93166-2

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    Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.
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    Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.
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