Akseli Gallen-Kallela - Gallery

Gallery

  • Boy and Crow, 1884, oil on canvas

  • Old Woman With a Cat, 1885, tempera on canvas

  • Démasquée, 1888, oil on canvas

  • Parisienne, 1888, oil on canvas

  • Study for Aino triptych, pastel, 1889

  • Marie Gallén at the Kuhmoniemi-bridge, 1890, oil on wood

  • Aino Myth, 1891, second panel of triptych, oil on canvas

  • View from North Quay, 1891, oil on canvas

  • Shepherd Boy from Paanajärvi, 1892, oil on canvas

  • Mäntykoski Waterfall, 1893, oil on canvas

  • Self-portrait, 1893, drypoint

  • Portrait of Sibelius, 1894, watercolor

  • Symposium, 1894, oil on canvas

  • Illustration for Paul Scheerbart's poem "Königslied" in the German periodical Pan, 1895

  • Inspiration, 1896, woodcut

  • The Departure of Väinämöinen, 1896–1906, tempera

  • The Fratricide, 1897, tempera on canvas

  • Lemminkäinen's Mother, 1897, tempera on canvas

  • Kullervo cursing, 1899, oil on canvas

  • By the River of Tuonela, study for the Jusélius Mausoleum frescos, 1903, tempera on canvas

  • Portrait of Maxim Gorky, 1906, oil

  • The Lair of the Lynx, 1906, oli on canvas

  • Ad Astra, 1907, oil on canvas

  • Ilmarinen ploughing the Viper-field and The Defense of the Sampo, 1928, fresco

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Famous quotes containing the word gallery:

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
    —Henry David Thoreau (1817–1862)