Aihole - Early Chalukya Style of Architecture

Early Chalukya Style of Architecture

Aihole, was the cradle of ancient Hindu temple architecture. It has more than 70 temples. The experimentation with different styles was undertaken by the artisans. The artisans worked on the rocks to create the earliest rock cut shrines. The artisans graduated to the full fledged Chalukya style of architecture.

The early Chalukyas inherited architectural styles largely from their neighbours to the north and south of their kingdom. Usage of curved towers decorated with blind arches came from northern India. Plastered walls with panel inserts are a southern Indian style. The usage of Deccan style is in their balcony seating, angled eaves and sloping roofs, and elaborately carved columns and ceilings (George Michell,1997). In short, they artistically brought together the prevailing styles in their neighbourhood to create the Chalukya style.

Typical features unique to Badami Chalukyas architecture include mortarless assembly, an emphasis on length rather than width or height, flat roofs, richly carved ceilings, and, sculpturally, an emphasis on relatively few major figures, which tend to be isolated from each other rather than arranged in crowded groups. The aesthetic sensibility of sculpture from this period also seems to retain a certain classical quality whose impulse does not carry over into later periods of Indian art (Susan Huntington, 1985).

Read more about this topic:  Aihole

Famous quotes containing the words early, style and/or architecture:

    ... business training in early life should not be regarded solely as insurance against destitution in the case of an emergency. For from business experience women can gain, too, knowledge of the world and of human beings, which should be of immeasurable value to their marriage careers. Self-discipline, co-operation, adaptability, efficiency, economic management,—if she learns these in her business life she is liable for many less heartbreaks and disappointments in her married life.
    Hortense Odlum (1892–?)

    I never knew a writer yet who took the smallest pains with his style and was at the same time readable.
    Samuel Butler (1835–1902)

    Art is a jealous mistress, and, if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider.
    Ralph Waldo Emerson (1803–1882)