Agent X44 - Plot

Plot

The plot revolves around a secret agency with Reserve Agent King Aguila (Wesley Chua) tasked to recover the Philippines' most important artifact. The artifact is the bolo of Lapu-lapu which he used to kill Magellan in 1521.

King (Vhong Navarro) is the best friend of Junior (Mura) who is the godson of Tony Falcon (Tony Ferrer), a nearly retiring agent X44. As the two boys grow up, the differences between them become visible. It becomes clear that although he is the smaller one, Junior is the smarter of the two. King has a visual impairment wherein he cannot see the letter "A." This becomes an impediment for his academic success. On the other hand, King is the master retriever; i.e. he can retrieve anything that's lost. Ever since he was a child, King's idol has been his ninong Tony. He also wants to be a secret agent. Junior also wants to be an agent, but Tony is always discouraging him because he fears his son might be put in danger. He makes up an excuse, "Anak, obvious ka masyado!'

King takes up law and passes the agency's qualifying exams. In the agency, he meets Mary Grace (Mariel),another neophyte agent. Mary Grace is flatulent and always gets her high heels stuck in holes. She develops a crush on King, but keeps it to herself. One day, she decides to tell King her true feelings. She had barely said, "I love you" when King rushes out of the restaurant to save a girl. Of course, Mary Grace doesn't know that King is saving the girl. She thinks he is embracing her. She is now convinced that he is a playboy. She decides to take the West Point training being offered to her, and leaves the country feeling bitter about King. When she returns from her training, Mary Grace immediately becomes the #1 agent in the country.

King is given three cases to solve, but he fails each and every one of them. The agency has no choice but to demote him to a clerical job. He longs to be given some fieldwork, but the agency will hear none of it…until Magellan's dagger is reported stolen. Being the top agent, Mary Grace expects the high-profile mission to be assigned to her. Thus, she is shocked when Tony Falcon pushes that King is the best agent for the mission.

With the help of Junior, King nearly gets the dagger but he loses it again. Disappointed with King, Tony gets depressed and accidentally falls into a manhole. Cynthia (Pokwang), the agency head, decides to take King out of the mission. During Tony's wake, the ghost of Tony Falcon appears to her, telling her to put King back in the mission. Actually, Junior masterminded this trick. Cynthia decides to pair King with Mary Grace to retrieve the dagger for the final time.

The dagger falls into the hands of three rival crime lords - Mustafah Saleh (Uma Baron Khouny), an Arabian millionaire who wants to retrieve the dagger because it is a threat to his family's oil business; Leah (Cass Ponti), a Polynesian princess who wants to retrieve the dagger because they have the seawater resources but not the equipment to turn it into oil; and Purubutu-san (Epi Quizon), a Yakuza head who wants to retrieve the dagger because he has the seawater resources plus the machinery to market it all over the world.

Will King be able to retrieve the dagger, and will he be able to retrieve Mary Grace's love for him?

Read more about this topic:  Agent X44

Famous quotes containing the word plot:

    Ends in themselves, my letters plot no change;
    They carry nothing dutiable; they won’t
    Aspire, astound, establish or estrange.
    Philip Larkin (1922–1986)

    Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)