Adventures of a Young Man is a 1939 novel by John Dos Passos, which eventually became the first in this writer's District of Columbia Trilogy.
The novel, which tells of a disillusioned young American radical who fights on the side of the Second Spanish Republic during the Spanish Civil War and is killed during the war, is contemporary with Ernest Hemingway's For Whom the Bell Tolls, with its similar theme. Both books are the outcome of the 1937 visit of Dos Passos and Hemingway to Spain during which their friendship broke up in a sharp quarrel on political as well as personal grounds.
Critic George Packer in The New Yorker deplored the oblivion into which the Dos Passos book had fallen (mainly due to the rightwards political move of its author) and considered it as deserving of enduring fame as Hemingway's novel:
Hemingway’s romantic fable is in almost every way more compelling. But Dos Passos, in his dispirited and unblinking realism, was the one to convey what it meant to be alive in the nineteen-thirties.
Famous quotes containing the words young man, adventures of, adventures, young and/or man:
“Then to the third—a face nor child nor old, very calm,
as of beautiful yellow-white ivory,
Young man I think I know you—I think this face is the
face of the Christ himself,
Dead and divine and brother of all, and here again he lies.”
—Walt Whitman (1819–1892)
“The good critic is he who relates the adventures of his soul among masterpieces.”
—Anatole France (1844–1924)
“What a large volume of adventures may be grasped within this little span of life by him who interests his heart in every thing, and who, having eyes to see, what time and chance are perpetually holding out to him as he journeyeth on his way, misses nothing he can fairly lay his hands on.”
—Laurence Sterne (1713–1768)
“How many young hearts have revealed the fact that what they had been trained to imagine the highest earthly felicity was but the beginning of care, disappointment, and sorrow, and often led to the extremity of mental and physical suffering.”
—Catherine E. Beecher (1800–1878)
“In his very rejection of art Walt Whitman is an artist. He tried to produce a certain effect by certain means and he succeeded.... He stands apart, and the chief value of his work is in its prophecy, not in its performance. He has begun a prelude to larger themes. He is the herald to a new era. As a man he is the precursor of a fresh type. He is a factor in the heroic and spiritual evolution of the human being. If Poetry has passed him by, Philosophy will take note of him.”
—Oscar Wilde (1854–1900)