Adventures of A Young Man

Adventures of a Young Man is a 1939 novel by John Dos Passos, which eventually became the first in this writer's District of Columbia Trilogy.

The novel, which tells of a disillusioned young American radical who fights on the side of the Second Spanish Republic during the Spanish Civil War and is killed during the war, is contemporary with Ernest Hemingway's For Whom the Bell Tolls, with its similar theme. Both books are the outcome of the 1937 visit of Dos Passos and Hemingway to Spain during which their friendship broke up in a sharp quarrel on political as well as personal grounds.

Critic George Packer in The New Yorker deplored the oblivion into which the Dos Passos book had fallen (mainly due to the rightwards political move of its author) and considered it as deserving of enduring fame as Hemingway's novel:

Hemingway’s romantic fable is in almost every way more compelling. But Dos Passos, in his dispirited and unblinking realism, was the one to convey what it meant to be alive in the nineteen-thirties.

Famous quotes containing the words young man, adventures of, adventures, young and/or man:

    The way for a young man to rise, is to improve himself every way he can, never suspecting that any body wishes to hinder him.
    Abraham Lincoln (1809–1865)

    The good critic is he who relates the adventures of his soul among masterpieces.
    Anatole France (1844–1924)

    We had no revolutions to fear, nor fatigues to undergo; all our adventures were by the fireside, and all our migrations from the blue bed to the brown.
    Oliver Goldsmith (1728–1774)

    She saw
    her five young children
    writhe and die;
    in that hour
    she began to watch you,
    she whose eyes are open forever.
    Denise Levertov (b. 1923)

    The man who arrives young believes that he exercises his will because his star is shining. The man who only asserts himself at thirty has a balanced idea of what will power and fate have each contributed, the one who gets there at forty is liable to put the emphasis on will alone.
    F. Scott Fitzgerald (1896–1940)