Writer
Thiers was by far the most gifted and interesting of the group of literary statesmen which formed a unique feature in the French political history of the 19th century. There are only two who are at all comparable to him, Guizot and Lamartine; and as a statesman he stands far above both. Nor is this eminence merely due to his great opportunity in 1870; for Guizot might under Louis Philippe have almost made himself a French Robert Walpole, at least a French Palmerston, and Lamartine's opportunities after 1848 were, for a man of political genius, unlimited. But both failed; Lamartine almost ludicrously, whereas Thiers, under difficult conditions, achieved a striking if not a brilliant success. But even when the minister of a constitutional monarch his intolerance of interference or joint authority, his temper at once imperious and devious, his inveterate inclination towards underhand rivalry and cabals for power and place, showed themselves unfavourably. His constant tendency to inflame the aggressive and chauvinistic spirit of his country was not based on any sound estimate of the relative power and interests of France, and led his country more than once to the verge of a great calamity. In opposition, both under Louis Philippe and under the empire, and even to some extent in the last four years of his life, his worst qualities were always evident. But with all these drawbacks he conquered and will retain a place in what is perhaps the highest, as it is certainly the smallest, class of statesmen: the class of those to whom their country has had recourse in a great disaster, who have shown in bringing her through that disaster with constancy, courage, devotion and skill and have been rewarded by as much success as the occasion permitted.
Read more about this topic: Adolphe Thiers
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“In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It’s the drowning out of false voices.”
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