Selected Photographs and Other Items
Photographs are indicated by Farsari's titles, followed by the date of exposure, the photographic process, and a descriptive title.
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Jinriki, 1886. Hand-coloured albumen print on a decorated album page.
A rickshaw driver, two passengers and a bearer. -
Wrestlers, c. 1886. Hand-coloured albumen print.
View of a sumo match showing rikishi, a gyōji and an audience. -
Rooms, 1886. Hand-coloured albumen print on a decorated album page.
Interior of a house, Japan. -
Tennonji, Osaka, between 1885 and 1890. Hand-coloured albumen print on a decorated album page.
View of Shitennō-ji, Osaka. -
Shiba Chokugaku Mon (back), between 1885 and 1890. Hand-coloured albumen print.
View of the Yūshō-in Mausoleum complex showing the bell tower and Chokugaku gate, Zōjō-ji, Tokyo. -
Japan, between 1885 and 1890. Albumen print.
Photomontage incorporating various images by A. Farsari & Co.. -
A. Farsari & Co., c. 1890.
Title page from a photograph album by A. Farsari & Co.. -
Advertisement for A. Farsari & Co., 1887. In Keeling's Guide to Japan, 4th Edition, 2nd Issue, 1890.
Read more about this topic: Adolfo Farsari
Famous quotes containing the words selected, photographs and/or items:
“There is no reason why parents who work hard at a job to support a family, who nurture children during the hours at home, and who have searched for and selected the best [daycare] arrangement possible for their children need to feel anxious and guilty. It almost seems as if our culture wants parents to experience these negative feelings.”
—Gwen Morgan (20th century)
“A way of certifying experience, taking photographs is also a way of refusing it—by limiting experience to a search for the photogenic, by converting experience into an image, a souvenir. Travel becomes a strategy for accumulating photographs.”
—Susan Sontag (b. 1933)
“In ordinary speech the words perception and sensation tend to be used interchangeably, but the psychologist distinguishes. Sensations are the items of consciousness—a color, a weight, a texture—that we tend to think of as simple and single. Perceptions are complex affairs that embrace sensation together with other, associated or revived contents of the mind, including emotions.”
—Jacques Barzun (b. 1907)