Building
The building originally was as the Amor de Dios Hospital, which had closed by the time the School of Engraving decided to move there from the mint building. Founding director Jeronimo Antonio Gil took charge of the restoration and remodeling work. Artist Javier Cavallari created the Academy's Neoclassic facade, which is embellished with six medallions. Four of these represent the Academy's founders: Carlos III, Carlos IV, Jeronimo Antonio Gil and Fernando José Manguino, and the other two are of Michelangelo and Raphael. Cavallari also finished the patio, the conference room and the painting and sculpture galleries. The painting gallery contains portraits by Ramon Sagredo and the sculpture room contains works by José Obregón and Manuel Ocaranza.
A number of plaster casts of classic statues from the San Fernando Fine Arts Academy in Spain were brought here for teaching purposes. These casts still exist and can be seen on display in the Academy's central patio. Some of these statues include casts of statues from the Medici tombs, Moses by Michelangelo, The Victory of Samothrace and Venus de Milo.
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Famous quotes containing the word building:
“There is something about the literary life that repels me, all this desperate building of castles on cobwebs, the long-drawn acrimonious struggle to make something important which we all know will be gone forever in a few years, the miasma of failure which is to me almost as offensive as the cheap gaudiness of popular success.”
—Raymond Chandler (1888–1959)
“Nowadays almost all man’s improvements, so called, as the building of houses and the cutting down of the forest and of all large trees, simply deform the landscape, and make it more and more tame and cheap.”
—Henry David Thoreau (1817–1862)
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)