Reception
Professional ratings | |
---|---|
Aggregate scores | |
Source | Rating |
Metacritic | (62/100) |
Review scores | |
Source | Rating |
AllMusic | |
The A.V. Club | B− |
Drowned in Sound | (7/10) |
Entertainment Weekly | B |
Los Angeles Times | |
musicOMH | |
PopMatters | (8/10) |
Rolling Stone | |
Slant Magazine | |
Spin | (5/10) |
The album received modest to genuinely positive praise from critics, with most negative comments aimed at the album's extensive running time rather than its musical content. At Metacritic, it's been given a score of 62 out of 100 based on 17 reviews.
" studio release finds her in full command of her expanded arsenal, creating an overall sound that's as psychedelic as it is classic," wrote Billboard, adding, "the sounds coupled with lyrical content — metaphors rendered through literary heroines, religious imagery, exotic food, cities as characters, triple entendres — make for a singular tapestry that, as the artist matures, requires less and less prior knowledge of her catalog to enjoy." Slant Magazine gave the album a mixed, yet mostly positive, review, exclaiming unapologetically, "It's a genuine relief that lacks the cumbersome structural conceit of Scarlet's Walk or the dissociative identity disorder of American Doll Posse. Rather than suffocating her songs under a pretentious broad construct, here Amos allows them to stand on their own merits and, in turn, demonstrates the superior craft upon which she first made her name." Slug Magazine called it "one of 2009’s finest albums," while the Los Angeles Times praised the album's "canny balance between Victorian-inspired decadence, mythical pathos and arch camp." Entertainment Weekly magazine noted, "Sometimes her brains get a little too big for her Bible. But when she's banging on her piano over layers of lush electronics, she's got the rapture part down."
Reviews in Rolling Stone, Mojo and Q were less favorable, although, while criticizing it as a "long haul", the latter did admit that the album contained "some of the best Amos has written." Spin noted, "Amos writes no less penetratingly than she did on her first album about the way women navigate the intersection between sex and power," while PopMatters lauded the album for its experimental sound, calling it an "exploration of the journey from that dark, quiet beginning to that beautifully indulgent conclusion," praising the album's "twists and turns along the way." musicOMH added that the album "turns out to be a collection of tracks that simply doesn't work as a whole because it can't properly be listened to in one go. Pity, for somewhere in amongst it all Tori proves that she's still capable of producing a storming album."
The music website, Drowned in Sound, concluded, "Occasionally vague, sometimes incohesive and a little self-indulgent it may be, but ultimately Abnormally Attracted to Sin is an abnormally attractive piece of work, and another fine example of the shining talent that is Tori Amos."
Read more about this topic: Abnormally Attracted To Sin
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