Cinematography
The film was a relatively straightforward presentation of the performance in Dublin Ireland, with footage of all the musicians in Bowie's band as well as the lighting/staging effects used, such as the large platforms onstage, the hanging head tree branches, and the artistic footage played on the background video screens. Several different angles were used of Bowie onstage including cameras placed behind Bowie as well as cameras from the audience, and footage was also included of backstage preparations for the performance during the opening, intermission, and ending credits.
Artistic effects were often used as well, amongst them color distortions (most notably during "Ashes to Ashes") the altering of footage speed (in the opening before "Rebel Rebel"), and rhythmic repetition of footage (the thrashing in "Hallo Spaceboy"). Many were simply embellishing, although some blurred the staging and caused the music to become desynchronized with the musicians. Some interludes into the background footage were used, such as an artistic film of a forest during "The Loneliest Guy" and an introductory clip from The Uncle Floyd Show to "Slip Away" to provide context for the lyrics.
The film has been edited from its original concert appearance; the two sets performed in Dublin on November 22 and 23 do not match entirely with the set from the film. Bowie's signature greeting to every city during the tour, "Hello... you crazy bunch of motherfuckers" was not included in the film, and was possibly intentionally cut or omitted from the performance for censorship purposes.
Read more about this topic: A Reality Tour (film)