Style
A Princess of Mars is similar to many of Burroughs' tales: it is characterized by copious violent action. It is basically a travelogue, a tale of a journey and various encounters on that journey, which does not necessarily have a defined plot. It is also a captivity narrative - involving a civilized hero being captured by an uncivilized culture and being forced to adapt to the primitive nature of the captors to survive.
As is the case with the majority of the Barsoom novels to follow, it portrays a hero facing impossible odds and forced to fight a range of lurid creatures in order to win the love of the heroine. Burroughs' Barsoom is also morally unambiguous; there is no sense of moral relativity and characters are either good or evil. The tale portrays a hero with a sense of honor transcending race or politics. Compassion, loyalty and bravery are celebrated, and callousness, deception, and cowardice are frowned upon.
Read more about this topic: A Princess Of Mars
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“To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body—both go together, they can’t be separated.”
—Jean-Luc Godard (b. 1930)
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)