Television
Beginning on October 9, 1988, Freddy's Nightmares was an anthology series, in the vein of The Twilight Zone, which featured different horror stories each week. The show was hosted by Freddy Krueger, with Robert Englund reprising his role from the films. Freddy played more of a background character, but occasionally showed up to influence the plot of particular episodes. The series ran for two seasons and a total of 44 episodes, ending March 10, 1990. Although most of the episodes did not feature Freddy taking a major role in the plot, the pilot episode "No More Mr. Nice Guy" depicts the events of Krueger's trial, and his subsequent death at the hands of the parents of Elm Street after his acquittal. Directed by Tobe Hooper, creator of The Texas Chain Saw Massacre, Freddy's acquittal is based on the arresting officer, Lt. Tim Blocker, not reading him his Miranda rights, which is different from the original Nightmare that stated he was acquitted because someone forgot to sign a search warrant. After the town's parents burn Freddy to death he returns to haunt Blocker in his dreams. Freddy gets his revenge when Blocker is put to sleep at the dentist's office, and Freddy shows up and kills him.
Read more about this topic: A Nightmare On Elm Street (franchise)
Famous quotes containing the word television:
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.”
—Susan Sontag (b. 1933)