A Million Little Pieces - Reception

Reception

The book was released on April 15, 2003 by Doubleday Books, a division of Random House, and received mixed feedback. While some critics, such as Pat Conroy praised the book, calling it "the War and Peace of addiction," others were not as impressed by the gruesome nature of the book and Frey's overall attitude that sets the tone for the book. For example, critic Julian Keeling, a recovering addict, stated that "Frey's stylistic tactics are irritating...none of this makes the reader feel well-disposed towards him". Also, author Heather King said that "A Million Little Pieces rings false".

Poet and author John Dolan roundly criticized the book as contrived and inauthentic, referring to the writing style as a "… childish impersonation of the laconic Hemingway style …."

In September 2005, the book was picked as an Oprah's Book Club selection, and shortly thereafter became the number one paperback non-fiction book on Amazon.com, and topped the New York Times Best Seller list for fifteen straight weeks. By January 28, 2006, it had fallen to number four on the Amazon.com list with Winfrey's following selection, Night by Elie Wiesel, taking over the top position.

The book garnered international attention in January 2006 after it was reported that it contained fabrications and was not, as originally represented by the author and publisher, a completely factual memoir.

Read more about this topic:  A Million Little Pieces

Famous quotes containing the word reception:

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)