A Funk Odyssey - Background

Background

Combining features of disco, funk and electronica, the release of the album represented the peak of international commercial success for Jamiroquai, and in the ensuing world tour the group became a household name in many countries. The sleeve art of A Funk Odyssey features Jay Kay posed in front of a series of lasers that form the famous "Buffalo Man" logo, making it the first Jamiroquai album not to feature the logo prominently on its cover. The album marks a departure from the band's previous acid jazz sound; the band finds themselves in a disco funk vibe, and is also very focused on an electronica sound, evident especially in "Twenty Zero One" and "Stop Don't Panic". A popular fan interpretation is that "Main Vein" is a song written about Denise van Outen, Jay's ex-girlfriend, but from her perspective; the song would have thus featured a female vocalist and would showcase the same fight shown in "Little L" but from Denise's perspective. A test pressing of the album features an instrumental of "Main Vein", which supports this theory.

Read more about this topic:  A Funk Odyssey

Famous quotes containing the word background:

    In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.
    Emma Goldman (1869–1940)

    I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.
    Lyndon Baines Johnson (1908–1973)

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)