Music
A Boy Named Charlie Brown also included several original songs, some of which boasted vocals for the first time: "Failure Face", "I Before E Except After C" and "Champion Charlie Brown" (Before this film, musical pieces in Peanuts specials were primarily instrumental, except for a few traditional songs in A Charlie Brown Christmas.) Rod McKuen wrote and sang the title song. He also wrote "Failure Face" and "Champion Charlie Brown".
The instrumental tracks interspersed throughout the movie were composed by Vince Guaraldi and arranged by John Scott Trotter (who also wrote "I Before E Except After C"). The music consisted mostly of uptempo jazz tunes that had been heard since some of the earliest Peanuts television specials aired back in 1965; however, for A Boy Named Charlie Brown, they were given a more "theatrical" treatment, with lusher horn-filled arrangements. Instrumental tracks used in the film included "Skating" (first heard in A Charlie Brown Christmas) and "Baseball Theme" (first heard in Charlie Brown's All-Stars). Guaraldi and Trotter were nominated for an Academy Award for Best Original Score for their work on A Boy Named Charlie Brown.
The segment during the "Skating" sequence was choreographed by American figure skater Skippy Baxter. A segment during the middle of the film, in which Schroeder plays the second movement of Beethoven's Pathetique Sonata, had piano performed by Ingolf Dahl.
The film also features a Jew's harp, which Snoopy plays to help Charlie with his spelling.
The French language version replaces Rod McKuen's vocals with a French version sung by Serge Gainsbourg, "Un petit garçon nommé Charlie Brown".
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Famous quotes containing the word music:
“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (1749–1832)
“While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! Those who flock round the Beatles, who scream themselves into hysteria, whose vacant faces flicker over the TV screen, are the least fortunate of their generation, the dull, the idle, the failures . . .”
—Paul Johnson (b. 1928)