5 (number) - Film and Television

Film and Television

  • Babylon 5 is a science fiction television series created, produced and largely written by J. Michael Straczynski
  • Odyssey 5 is a 2002 science fiction television series
  • Channel 5 is a television channel that broadcasts in the United Kingdom
  • The Fifth Element is a 1997 science fiction film
  • Five Go Mad in Dorset was the first of the long-running series of Comic Strip Presents... television comedy films
  • Yes! Pretty Cure 5 is a 2007 anime which follows the adventures of Nozomi and her friends. It is also followed by the 2008 sequel Yes! Pretty Cure 5 GoGo!
  • Towards the end of the film Monty Python and the Holy Grail, the character of King Arthur repeatedly confuses the number five with the number three.
  • The number 5 features in the television series Battlestar Galactica in regards to the Final Five cylons and the Temple of Five
  • Johnny 5 is the lead character in the 1986 film Short Circuit
  • The number 5 and Roman Numeral V figure prominently in the film V for Vendetta, produced by Warner Bros and directed by James McTeigue, adapted from the graphic novel V for Vendetta, by Alan Moore. V for Vendetta is based on the historical event in which a group of men attempted to destroy Parliament on November 5, 1605. November 5 is now known as Guy Fawkes Night or Guy Fawkes Day in the UK.
  • Noitra Jiruga from Bleach was ranked as number 5 aka fifth strongest in Souske Aizen's army.
  • Fast Five The fifth installment of the Fast and Furious series.
  • The character, James the Red Engine is numbered 5.

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Famous quotes containing the words film and/or television:

    “A good film script should be able to do completely without dialogue.”
    —David Mamet (b. 1947)

    “In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
    —New Yorker (April 23, 1990)