4th Irish Film & Television Awards - Film

Film

Best Film

  • The Wind That Shakes the Barley (Winner)
    • Breakfast on Pluto
    • The Front Line
    • Middletown
    • Small Engine Repair

Best International Film

  • Little Miss Sunshine (Winner)
    • Babel
    • Casino Royale
    • The Departed
    • United 93

Best Director

  • Neil Jordan (Winner)
    • John Boorman
    • David Gleeson
    • Brian Kirk

Best Script

  • Neil Jordan & Pat McCabe for Breakfast on Pluto (Winner)
    • Daragh Carville for Middletown
    • David Gleeson for The Front Line
    • Niall Heery for Small Engine Repair

Best Cinematography

  • Seamus Deasy for The Tiger's Tail (Winner)
    • Seamus McGarvey for World Trade Center
    • Declan Quinn for Breakfast on Pluto
    • Robbie Ryan for Isolation

Best Music

  • Stephen McKeon for The Tiger's Tail (Winner)
    • Niall Byrne for Small Engine Repair
    • Patrick Cassidy for The Front Line
    • Glen Hansard for Once

Best Production Design

  • Mark Geraghty for Get Rich or Die Tryin' (Winner)
    • Tom Conroy for Breakfast on Pluto
    • Ashleigh Jeffers for Middletown
    • Mark Lowry for Small Engine Repair

Best Costume Design

  • Consolata Boyle for The Queen (Winner)
    • Joan Bergin for The Prestige
    • Eimer Ni Mhaldomhnaigh for Breakfast on Pluto
    • Maeve Patterson for The Tiger's Tail

Best Hair & Makeup

  • Lorraine Glynn, Lynn Johnson for Breakfast on Pluto (Winner)
    • Martina McCarthy, Denise Watson for The Tiger's Tail
    • Morna Ferguson, Lorraine Glynn for Middletown

Read more about this topic:  4th Irish Film & Television Awards

Famous quotes containing the word film:

    “All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They’re obliged to overstate their own importance.”
    —François Truffaut (1932–1984)

    “Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
    —David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    “Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
    Their little knowledge bringing them nearer to their ignorance,
    Ignorance bringing them nearer to death,
    But nearness to death no nearer to God.”
    —Sean O’Casey (1884–1964)