2 Days in Paris - Critical Reception

Critical Reception

In the Chicago Sun-Times, Roger Ebert called Julie Delpy "an original, a woman who refuses to be defined or limited" and said she "has made a smart film with an edge to it... What she has done here is avoid all temptation to recycle the usual lovers-in-Paris possibilities, and has created two original, quirky characters so obsessed with their differences that Paris is almost a distraction."

Stephen Holden of The New York Times said the film "is an inside-out version of the much-admired Richard Linklater films Before Sunrise and Before Sunset, in which Ms. Delpy and Ethan Hawke portray a French-American pair who meet, part and reunite years later. Where Mr. Linklater’s movies were weepies for the kind of educated, upscale young cosmopolites who have a soft spot for romances like Casablanca, Ms. Delpy’s examination of modern love among the almost young and still restless is bracingly hard-headed."

In her review for the Los Angeles Times, Carina Chocano said, "At first blush, 2 Days in Paris looks like it's going to be the story of a culture-clashing couple. But slowly and rather slyly, Delpy zeros in on something much more subtle and complex. What interests her are not the superficial differences between people from different countries... but the way in which the distances between people, genders and cultures (the very distances we rely on to grant us the perspective needed to see how completely insane other people, genders, cultures really are) seem to shift constantly according to circumstances."

Read more about this topic:  2 Days In Paris

Famous quotes containing the words critical and/or reception:

    Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
    John Berger (b. 1926)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)