Reception
The .264 Winchester Magnum main competition comes from the various 7mm cartridges such as the 7mm Remington Magnum, 7mm Weatherby Magnum, the .270 Winchester Short Magnum, .270 Weatherby Magnum, 6.5mm Remington Magnum and the .257 Weatherby Magnum cartridges in North America and the cartridges such as the 6.5x68mm in Europe. Due to the over crowded nature of the market for which the cartridge competes in, popularity has been on the wane. In particular, the 7mm Remington Magnum release in 1962 lead to the cartridge's poor reception by the shooting public. The 7mm Remington Magnum shot almost as flat as the .264 Winchester Magnum but launched a larger diameter, heavier bullet generating more energy than the .264 Winchester Magnum. Furthermore, the 7mm Remington Magnum benefited from a vast range of compatible bullets due in large part to the popularity while the .264 was somewhat of an oddity and a rather "new" caliber in North America.
Ballistically, it is almost identical to the 6.5 x 68 (also incorrectly known as the 6.5 x 68 RWS, 6.5 x 68 Schüler or the 6.5 x 68 Express Vom Hofe) and the 6.5 x 63 Messner Magnum.
The .264 Win. Mag. is an excellent, potentially accurate, very flat-shooting cartridge capable of taking any game in the lower 48 US states, and one of the most powerful of all .264 in (6.7 mm) cartridges. When loaded with 140 gr (9.1 g) bullets at a muzzle velocity of 3,100 ft/s (940 m/s) it is an adequate round for deer out to beyond 500 yards (460 m) provided that the hunter is capable of such longer shots.
Read more about this topic: .264 Winchester Magnum
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)