Production
Principal scenes of 200 Motels including the London Philharmonic Orchestra were filmed in a week at Pinewood Studios outside London, and featured The Mothers of Invention, The Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon. Tensions between Zappa and several cast and crew members arose before and during shooting. However, Director Tony Palmer's comments on his 2009 reissue of 200 Motels claim all elements of the script derived from Frank Zappa's trunk's worth of material, were completed during production, and that the film's original video tapes still exist, sitting in front of him while he wrote the DVD liner notes. It was the first feature film photographed on videotape and transferred to 35 mm film utilizing a Technicolor Film printer utilized by the BBC, a process which allowed for novel visual effects. Produced by Murakami/Wolf Productions. Jerry Good, Producer. Charles Swenson, Animation Director.
Read more about this topic: 200 Motels
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“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)