History
In 1970, Frank Zappa formed a new version of The Mothers of Invention which included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of The Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name "The Phlorescent Leech and Eddie", or "Flo & Eddie".
Zappa began writing a film for his new lineup called 200 Motels, and the band debuted on Zappa's next solo album Chunga's Revenge (1970), which was produced as a preview of the film. Zappa also met conductor Zubin Mehta. They arranged a May 1970 concert where Mehta conducted the Los Angeles Philharmonic augmented by a rock band. This material served as a second preview of the film. According to Zappa, the music was mostly written in motel rooms while on tour with The Mothers of Invention. Some of it was later featured in 200 Motels. Although the concert was a success, Zappa's experience working with a symphony orchestra was not a happy one. His dissatisfaction became a recurring theme throughout his career; he often felt that the quality of performance of his material delivered by orchestras was not commensurate with the money he spent on orchestral concerts and recordings.
Zappa pitched the film to United Artists, using a portfolio including a ten page treatment, two boxes of audio tape, and newspaper clippings. The film studio gave Zappa US$650,000 to finish the project, which Zappa initially intended to premiere on Dutch television before his next tour.
Read more about this topic: 200 Motels
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