Published Popular Music
- "Another Suitcase in Another Hall" w. Tim Rice m. Andrew Lloyd Webber from the musical Evita
- "Dallas theme song" m. Jerrold Immel
- "Don't Cry for Me Argentina" w. Tim Rice m. Andrew Lloyd Webber from the musical Evita
- "Grease" w.m. Barry Gibb from the film Grease
- "Honesty" w.m. Billy Joel
- "Hopelessly Devoted to You" w.m. John Farrar introduced by Olivia Newton-John in the film Grease
- "My Life" w.m. Billy Joel
- "Only the Good Die Young" w.m. Billy Joel
- "Sultans of Swing" w.m. Mark Knopfler
- "Thank You for Being a Friend" w.m. Andrew Gold
- "Three Times a Lady" w.m. Lionel Richie
- "You Don't Bring Me Flowers" w. Alan Bergman, Marilyn Bergman & Neil Diamond m. Neil Diamond
- "You're the One That I Want" w.m. John Farrar introduced by Olivia Newton-John and John Travolta in the film Grease
Read more about this topic: 1978 In Music
Famous quotes containing the words popular music, published, popular and/or music:
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“What has influenced my life more than any other single thing has been my stammer. Had I not stammered I would probably ... have gone to Cambridge as my brothers did, perhaps have become a don and every now and then published a dreary book about French literature.”
—W. Somerset Maugham (1874–1965)
“Resorts advertised for waitresses, specifying that they “must appear in short clothes or no engagement.” Below a Gospel Guide column headed, “Where our Local Divines Will Hang Out Tomorrow,” was an account of spirited gun play at the Bon Ton. In Jeff Winney’s California Concert Hall, patrons “bucked the tiger” under the watchful eye of Kitty Crawhurst, popular “lady” gambler.”
—Administration in the State of Colo, U.S. public relief program (1935-1943)
“And in the next instant, immediately behind them, Victor saw his former wife.
At once he lowered his gaze, automatically tapping his cigarette to dislodge the ash that had not yet had time to form. From somewhere low down his heart rose like a fist to deliver an uppercut, drew back, struck again, then went into a fast disorderly throb, contradicting the music and drowning it.”
—Vladimir Nabokov (1899–1977)