Musical Theater
- Hello, Dolly! (Jerry Herman) – Broadway production opened at the St. James Theatre on January 16 and ran for 2844 performances
- What Makes Sammy Run? – Broadway production opened at the 54th Street Theater on February 27 and ran for 540 performances
- Funny Girl (Jule Styne and Bob Merrill) – Broadway production opened at the Winter Garden Theatre on March 26 and ran for 1348 performances
- Anyone Can Whistle – Broadway production opened at the Majestic Theatre on April 4 and ran for 9 performances
- Fiddler on the Roof (Jerry Bock and Sheldon Harnick) – Broadway production opened at the Imperial Theatre on September 22 and ran for 3242 performances
- Foxy (Book: Ian McLellan Hunter & Ring Lardner, Jr. Lyrics: Johnny Mercer Music: Robert Emmett Dolan. Broadway production opened on February 16 and ran for 72 performances. Starring Bert Lahr, Larry Blyden, Cathryn Damon and Julienne Marie.
- Golden Boy – Broadway production opened at the Majestic Theatre on October 20 and ran for 569 performances
- She Loves Me – London production opened at the Lyric Theatre on April 29 and ran for 189 performances
- Maggie May London production opened at the Adelphi Theatre on September 22 and ran for 501 performances
- Robert and Elizabeth – London production opened at the Lyric Theatre on October 20 and ran for 948 performances
- Little Me, the musical – London production opened at the Cambridge Theatre on November 18 and ran for 334 performances
- Salad Days (Julian Slade) – London revival
Read more about this topic: 1964 In Music
Famous quotes containing the words musical and/or theater:
“A pregnant woman and her spouse dream of three babies—the perfect four-month-old who rewards them with smiles and musical cooing, the impaired baby, who changes each day, and the mysterious real baby whose presence is beginning to be evident in the motions of the fetus.”
—T. Berry Brazelton (20th century)
“It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.”
—Bertolt Brecht (1898–1956)