1943 in Music - Top Hit Records

Top Hit Records

  • "As Time Goes By" by Rudy Vallee
  • "Boogie Woogie" by Tommy Dorsey
  • "Brazil" by Xavier Cugat
  • "Comin' in on a Wing and a Prayer" by The Song Spinners
  • "Don't Get Around Much Anymore" by The Ink Spots
  • "Goodbye Sue by Perry Como
  • "I Had The Craziest Dream" by Harry James
  • "I've Heard That Song Before" by Harry James
  • "I'm Old Fashioned" by Fred Astaire
  • "In the Blue of the Evening" by Tommy Dorsey
  • "Juke Box Saturday Night" by Glenn Miller
  • "Let's Get Lost" by Vaughn Monroe
  • "Moonlight Becomes You" by Bing Crosby
  • "Paper Doll" by Mills Brothers
  • "People Will Say We're in Love" by Frank Sinatra
  • "Pistol Packin' Mama" by Al Dexter
  • "Praise the Lord and Pass the Ammunition" by Kay Kyser and His Orchestra
  • "Stormy Weather" by Lena Horne
  • "Sunday, Monday or Always" by Bing Crosby
  • "Taking a Chance On Love" by Benny Goodman
  • "That Old Black Magic" by Glenn Miller
  • "There Are Such Things" by Tommy Dorsey
  • "Velvet Moon" by Harry James
  • "When the Lights Go On Again" by Vaughn Monroe
  • "Why Don't You Do Right?" by Benny Goodman
  • "You'd Be So Nice To Come Home To" by Dinah Shore
  • "You'll Never Know" by Dick Haymes
  • "Zing! Went the Strings of My Heart" by Judy Garland

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Famous quotes containing the words top, hit and/or records:

    She isn’t harassed. She’s busy, and it’s glamorous to be busy. Indeed, the image of the on- the-go working mother is very like the glamorous image of the busy top executive. The scarcity of the working mother’s time seems like the scarcity of the top executive’s time.... The analogy between the busy working mother and the busy top executive obscures the wage gap between them at work, and their different amounts of backstage support at home.
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    You don’t hit a child when you want him to stop hitting. You don’t yell at a children to get them to stop yelling. Or spit at a child to indicate that he should not spit. Of course, you want children to know how to sympathize with others and to “know how it feels,” but you ... have to show them how to act—not how not to act.
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