1934 in Film - Animated Short Film Series

Animated Short Film Series

  • Krazy Kat (1925–1940)
  • Oswald the Lucky Rabbit (1927–1938)
  • Mickey Mouse (1928–1953)
  • Silly Symphonies
    • The China Shop
    • The Grasshopper and the Ants
    • Funny Little Bunnies
    • The Wise Little Hen
    • The Flying Mouse
    • Peculiar Penguins
    • The Goddess of Spring
  • Screen Songs (1929–1938)
  • Looney Tunes (1930–1969)
  • Terrytoons (1930–1964)
  • Merrie Melodies (1931–1969)
  • Scrappy (1931–1941)
  • Betty Boop (1932–1939)
    • She Wronged Him Right
    • Red Hot Mammma
    • Ha! Ha! Ha!
    • Betty in Blunderland
    • Betty Boop's Rise to Fame
    • Betty Boop's Trial
    • Betty Boop's Lifeguard
    • Poor Cinderella (first and only Betty Boop cartoon in colour)
    • There's Something About a Soldier
    • Betty Boop's Little Pal
    • Betty Boop's Prize Show
    • Keep in Style
    • When My Ship Comes In
  • Popeye (1933–1957)
  • Willie Whopper (1933-1934)
  • ComiColor Cartoons (1933–1936)
  • Cubby Bear (1933-1934)
  • The Little King (1933-1934)
  • Happy Harmonies (1934-1938)
  • Cartune Classics (1934-1935)
  • Color Rhapsodies (1934-1949)
  • Amos 'n' Andy (1934)

Read more about this topic:  1934 In Film

Famous quotes containing the words animated, short, film and/or series:

    And what if all of animated nature
    Be but organic Harps diversely framed,
    That tremble into thought, as o’er them sweeps
    Plastic and vast, one intellectual breeze,
    At once the Soul of each, and God of all?
    Samuel Taylor Coleridge (1772–1834)

    Language was not powerful enough to describe the infant phenomenon. “I’ll tell you what, sir,” he said; “the talent of this child is not to be imagined. She must be seen, sir—seen—to be ever so faintly appreciated.”... The infant phenomenon, though of short stature, had a comparatively aged countenance, and had moreover been precisely the same age—not perhaps to the full extent of the memory of the oldest inhabitant, but certainly for five good years.
    Charles Dickens (1812–1870)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    A sophistical rhetorician, inebriated with the exuberance of his own verbosity, and gifted with an egotistical imagination that can at all times command an interminable and inconsistent series of arguments to malign an opponent and to glorify himself.
    Benjamin Disraeli (1804–1881)