Musical Theater
- After Dinner London revue opened at the Gaiety Theatre on October 21
- L'Auberge Du Cheval Blanc Paris production
- Ball im Savoy Berlin production
- Ballyhoo (Music: William Waller Lyrics: Robert Nesbitt) London revue opened at the Comedy Theatre on December 22
- Casanova London production
- The Cat and the Fiddle London production opened at the Palace Theatre on March 4 and ran for 329 performances
- The Dubarry London production opened at Her Majesty's Theatre on April 14 and ran for 398 performances
- The Dubarry Broadway production opened at George M. Cohan's Theatre on November 22 and ran for 87 performances
- Face the Music Broadway revue opened at the New Amsterdam Theatre on February 17 and ran for 165 performances
- Gay Divorce Broadway production opened at the Ethel Barrymore Theatre on November 29 and transferred to the Shubert Theatre on January 16, 1933 for a total run of 248 performances
- Music in the Air Broadway production opened at the Alvin Theatre on November 8 and ran for 342 performances
- Out of the Bottle London production opened at the Hippodrome on June 11 and ran for 109 performances
- Over She Goes London revue opened at the Alhambra Theatre on August 27.
- Show Boat Broadway revival opened at the Casino Theatre on 50th Street on May 19 and ran for 180 performances
- Take a Chance Broadway production opened at the Apollo Theatre on November 26 and ran for 243 performances
- Tell Her the Truth London production opened at the Saville Theatre on June 14 and ran for 234 performances
- Wild Violets opened at the Theatre Royal on October 31 and ran for 291 performances
- Words and Music London revue (Noël Coward) opened at the Adelphi Theatre on September 16.
Read more about this topic: 1932 In Music
Famous quotes containing the words musical and/or theater:
“I was with Hercules and Cadmus once,
When in a wood of Crete they bayed the bear
With hounds of Sparta: never did I hear
Such gallant chiding; for besides the groves,
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—William Shakespeare (1564–1616)
“This ... is an age of specialization, and in such an age the repertory theater is an anachronism, a ludicrous anachronism.”
—Minnie Maddern Fiske (1865–1932)