1632 Plot Threads
1632 plot threads refers to the overall story arches or sequences within the 1632 series. Flint has opined he thinks in terms of plot threads in terms of major protagonists. But most web chatter devolves around geographical "spheres of influence", locations, or where protagonists have a general effect. As a series focused on displaying a believable neohistory given the series beginning—of being as realistic as possible given the initial series premises—the two approaches both fail equally in covering all the cases by any strict measure, because the character set who is starring in one thread will almost invariably appear in one or more other story lines as a personal departure point for that characters personal biographical history, or as a supporting role for events depicted in a book mainly covering events in another thread.
"Real history is messy," Flint has written in the foreword to Ring of Fire in explaining why he took the unusual step of opening a universe consisting of a single novel at the time into a shared universe. A champion of the common man, Flint disdains the "Great Man theory of History", where big figures of heroic scope define events, but instead lays claim throughout the entirety of works in the series, that history is the small actions of common men acting in their own self-interest who in the aggregate determine historical forces and force events and responses from those in power, who might lay some claim to being a giant of history—the statesmen and power brokers who dot the I's and cross the T's and add occasional curlicues to the historic march of events—riding the torrent far more often than leading it in Churchillian or Rooseveltian fashion. That some persons of that mold have existed is not disputed, but that the narrative report that makes up historical reporting tends to overstate their impact and role, is Flint's theme.
No matter what approach one takes to classifying a plot sequence in the series—be it geographical or character based—the key element of the series to comprehend is that the events depicted in its now voluminous works are not taking place in a vacuum, but in most cases are concurrent with developments in other parts of the European center.
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Famous quotes containing the words plot and/or threads:
“Jamess great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofnessthat is, reluctance to engage in any direct grappling with what, in the play or story, had actually taken placeMthat his listeners often did not, in the end, know what had, to put it in another way, gone on.”
—James Thurber (18941961)
“The greatest blunders, like the thickest ropes, are often compounded of a multitude of strands. Take the rope apart, separate it into the small threads that compose it, and you can break them one by one. You think, That is all there was! But twist them all together and you have something tremendous.”
—Victor Hugo (18021885)