Production
In December 2001, the three sons of prominent dance choreographer Sundaram were reported to be coming together to star in the Tamil film, and while Prabhu Deva was an established actor and Raju Sundaram had also appeared in films, it became the first substantial role for Nagendra Prasad. Karunas was selected to play a key role, while Sundaram was reported to be a choreographer in the film, which would be based on a Marathi play title All the Best. Sandeep Chowta was initially expected to be music director, but was later replaced by Deva.
In Telugu, the film was adapted under Siddesh Films with Uttej signed on to reshoot scenes which had featured Karunas in the Tamil version. The dialogues were written by Thotapalli Madhu and lyrics were written by Ponduri, Bhavanachandra and Rohini Krishna as the film was dubbed and released with a few reshot scenes. The mouth freshener brand, Pass Pass, teamed up with the film to put product placement into the venture. The film was released in Kannada under the supervison of Sundeep Malani, with another regional actor Komal Kumar chosen to replace Karunas as the thief.
Read more about this topic: 123 (film)
Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)