Zaebos: Book of Angels Volume 11

Zaebos: Book of Angels Volume 11 is an album of compositions by John Zorn released by experimental jazz fusion trio Medeski Martin & Wood in 2008.

The album is part of John Zorn's Book of Angels series. Zorn, an avant-garde composer, began incorporating Jewish klezmer styles into his musical palette in the early 1990s, resulting in a project called Masada. Medeski, Martin & Wood were among the original members of the earliest Masada units.

In 2004 Zorn began composing the second Masada Book - 'The Book of Angels'. Several albums of Masada Book Two compositions have been released, performed by various outfits or combinations of musicians. Zaebos, performed by Medeski, Martin & Wood, is the eleventh album in the ongoing series.

The titles of many Masada Book Two compositions are derived from demonology and Judeo-Christian mythology. Zaebos is said to be the Grand Count of infernal realms, and appears in the shape of a handsome soldier mounted on a crocodile.

On June 19, 2008 Medeski, Martin & Wood, joined by Marc Ribot (guitar) and Steven Bernstein (slide trumpet), debuted "Sefrial," a track from the album, at the Celebrate Brooklyn Festival in Prospect Park.

Read more about Zaebos: Book Of Angels Volume 11:  Track Listing, Personnel, Credits

Famous quotes containing the words book, angels and/or volume:

    Some hard and dry book in a dead language, which you have found it impossible to read at home, but for which you still have a lingering regard, is the best to carry with you on a journey.
    Henry David Thoreau (1817–1862)

    The angels are stooping
    Above your bed;
    They weary of trooping
    With the whimpering dead.
    William Butler Yeats (1865–1939)

    A tattered copy of Johnson’s large Dictionary was a great delight to me, on account of the specimens of English versifications which I found in the Introduction. I learned them as if they were so many poems. I used to keep this old volume close to my pillow; and I amused myself when I awoke in the morning by reciting its jingling contrasts of iambic and trochaic and dactylic metre, and thinking what a charming occupation it must be to “make up” verses.
    Lucy Larcom (1824–1893)