Production
Yu-Gi-Oh! GX is produced by Nihon Ad Systems, Inc., and directed by Hatsuki Tsuji. Scripts are prepared by an alternating lineup of writers–Shin Yoshida, Jun Maekawa, Akemi Omode, Yasuyuki Suzuki–with music arrangements by Yutaka Minobe. Takuya Hiramitsu is in charge of sound direction, supervised by Yūji Mitsuya. Character and monster designs are overseen by Kenichi Hara, while Duel layout is overseen by Masahiro Hikokubo.
The "GX" in the series' title is short for the term "Generation neXt". "GENEX" was conceived as the series' original title, as can be evidenced in early promotional artwork. It also refers to the GX tournament that takes place between episodes 84 and 104.
The program is divided into episodes classified as "turns". The title sequence and closing credits are accompanied by lyrics varying over the course of the series, with the former immediately followed by an individual episode's number and title. Eyecatches begin and end commercial breaks halfway through each episode; in the first season, there were two eyecatches per episode, usually showcasing the opponents and their key monsters for a given episode while in later seasons, a single eyecatch appears with only the duelists. After the credits, a preview of the next episode, narrated most frequently by KENN and Masami Suzuki, is made, followed by a brief "Today's Strongest Card" segment.
Read more about this topic: Yu-Gi-Oh! GX
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)