Production
The fight scene between Lindsey and Angel in the underground chamber, which took three days to film, was written by Steven S. DeKnight. Christian Kane, who went through two-and-a-half months of sword training for his role in Secondhand Lions, approached the writers to see if they could work his new skills into the episode; Kane ended up performing his own stunts for the sword fight sequence, including wire work. He also did his own stunts for the scene when Lindsey moves through the lasers in the tunnel, which were not CGI, but actual lasers. During the fight scene between Eve and Harmony, Sarah Thompson says Mercedes McNab slapped her accidentally. "She was... so worried she'd hurt me but it actually worked well for the take because I reacted by really screaming," Thompson says.
David Boreanaz had just had knee surgery prior to filming, so writer David Fury did his best to keep Angel sitting down as much as possible. Fury used tight camera angles during Spike's apartment scene with Lindsey to disguise the fact that the same set was used earlier for the opening teaser. "Everything is a bit contained; the reason is if I turn around, this is where they found the dead nuns," Fury explains.
Read more about this topic: You're Welcome (Angel)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)