Plot
A family traveling through New Salem, Illinois in their wagon need groceries from Lincoln's store and the only thing of value they have that he'll take in exchange is a law book. After thoroughly reading the book, Abe opts for the law after receiving encouragement from his early, ill-fated love, Ann Rutledge (Pauline Moore). Too poor to own even a horse, he arrives in Springfield on a mule and soon establishes a law practice with friend John Stuart (Edwin Maxwell). At a July 4 celebration, a man is murdered in a brawl: the accused are two brothers. Lincoln prevents the lynching of the two accused at the jail, inter alia by telling the angry mob he really needs these clients for his first real case. Admiring his courage, Mary Todd (Marjorie Weaver) -- later to be his wife—invites Lincoln to her sister's soiree and expresses an intense interest in his future.
The key witness to the crime is a friend of the victim who claims to have seen the murder at a distance of about 100 yards under the light of the moon. The family and Lincoln are pressured to save one of the brothers at the expense of the other's conviction. But Lincoln persists and is able, through the use of an Almanac, to demonstrate that on the night in question the moon would not have provided the light the supposed eyewitness claimed. He then drives the witness to confess that he had in fact stabbed his friend himself.
A scene cut from the film involved Lincoln meeting a very young John Wilkes Booth, his future assassin.
The film has as its basis the murder case involving William "Duff" Armstrong, which took place in 1858 at the courthouse in Beardstown, Illinois -- the only courthouse where Lincoln practiced law that is still in use.
Read more about this topic: Young Mr. Lincoln
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
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“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)