Currently Running Manga Series
| Series Title | Author | Premiered |
|---|---|---|
| Initial D (アバウト!?) | Shuichi Shigeno | 01995-01-011995 |
| Winning ticket (ウイニング・チケット?) | 02006-07-01July 2006 | |
| Kurohyō: Ryū ga Gotoku Shinshō (クロヒョウ 龍が如く新章?) | 02012-01-01 | |
| Kecchin (ケッチン?) | Takashi Kira | 02009-01-012009 |
| Kenka Shōbai (喧嘩商売?) | Yasuaki Kita | 02005-01-012005 |
| Coppelion | Tomonori Inoue | 02008-01-012008 |
| Jinju Swan (新宿スワン?) | 02005-01-012005 | |
| Psychometrer (サイコメトラ?) | Yuma Ando | 02011-01-012011 |
| Suna no Enkan (砂の栄冠?) | Norifusa Mita | 02010-01-012010 |
| Sengoku Gaiden (センゴク外伝?) | Hideki Miyashita | 02008-01-012008 |
| Taberemasen (食べれません?) | Yanwari Kagima | 01995-01-011995 |
| Cherry Nights (チェリーナイツ?) | Dragon Odawara | 02005-01-012005 |
| Tobaku Datenroku Kaiji kzuya-hen (賭博堕天録カイジ 和也編?) | Nobuyuki Fukumoto | 02009-01-012009 |
| Nani wa tomo Are (なにわ友あれ?) | Katsuhisa Minami | |
| Higanjima (彼岸島?) | Kouji Matsumoto | |
| Prison School (監獄学園?) | Akira Hiramoto | 02011-01-012011 |
| Minami-ke (みなみけ?) | Koharu Sakuraba | 02004-01-012004 |
| Megami no Oni (女神の鬼?) | Hiroshi Tanaka | |
| Montage (モンタージュ?) | Jun Watanabe | 02010-01-012010 |
| Yuki ni Tsubasa (雪にツバサ?) | Shin Takahashi | 02011-01-012011 |
| Yukipop no Ojogoto (ユキポンのお仕事?) | Kazuhiro Azuma | 01998-01-011998 |
| Wangan Midnight C1 runner (湾岸ミッドナイト C1ランナー?) | Michiharu Kusunoki | 02009-01-012009 |
| Kissxsis (キス×シス?) | Bow Ditama | 02005-01-012005 |
Read more about this topic: Young Magazine
Famous quotes containing the words running and/or series:
“People stress the violence. That’s the smallest part of it. Football is brutal only from a distance. In the middle of it there’s a calm, a tranquility. The players accept pain. There’s a sense of order even at the end of a running play with bodies stewn everywhere. When the systems interlock, there’s a satisfaction to the game that can’t be duplicated. There’s a harmony.”
—Don Delillo (b. 1926)
“Through a series of gradual power losses, the modern parent is in danger of losing sight of her own child, as well as her own vision and style. It’s a very big price to pay emotionally. Too bad it’s often accompanied by an equally huge price financially.”
—Sonia Taitz (20th century)