Music Video
The music video for "You Look So Fine" was directed by Stéphane Sednaoui for Propaganda Films. It was filmed on February 26, 1999 on a Los Angeles soundstage. ASP World Champion surfer champion Kelly Slater was cast as the man washed up on the shore that Manson "rescues", and much press was made from his cameo role in the video. While the male members of Garbage were filmed for the video, during offline editing, most of their shots were left unused after the director and the band felt their shots looked "naff".
With a concept for the video to visually look like a "mixture of a piece by Ingmar Bergman and a Samurai warrior movie", the director created a rock pool and white sand dune landscape dominated by a large pair of eyes in the background sky. Throughout the video, an effect similar to bioluminescent insects flying at night is also employed. The establishing shot is of the landscape, which fades to reveal Manson tending to an unconscious man who has washed up on the shore. While she tends to him, the male members of Garbage are seen lurking in silhouette in the background, while she sees her own reflection acting independently of her at the man's other side. After a while, the man regains consciousness as the sky changes to pink and the image onscreen changes to soft focus, before fading out as Manson sings the final lyrics.
The "You Look So Fine" video was first commercially released on All About Garbage, a covermounted CD-ROM issued by Italian magazine Tribe in 1999. A remastered version of the music video was included on Garbage's 2007 greatest hits DVD Absolute Garbage.
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Famous quotes containing the words music and/or video:
“When we are in health, all sounds fife and drum for us; we hear the notes of music in the air, or catch its echoes dying away when we awake in the dawn.”
—Henry David Thoreau (1817–1862)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)