Yale University - Yale in Fiction and Popular Culture

Yale in Fiction and Popular Culture

Further information: List of Yale University people and Yale in popular culture

Yale University, one of the oldest universities in the United States, is a cultural referent as an institution that produces some of the most elite members of society and its grounds, alumni, and students have been prominently portrayed in fiction and U.S. popular culture. For example, Owen Johnson's novel, Stover at Yale, follows the college career of Dink Stover and Frank Merriwell, the model for all later juvenile sports fiction, plays football, baseball, crew, and track at Yale while solving mysteries and righting wrongs. Yale University was also mentioned in F. Scott Fitzgerald's novel "The Great Gatsby". Nick Carraway and Tom Buchanan have both graduated from New Haven. The narrator (the former) has written a series of editorials for the Yale News and the following has been "one of the most powerful ends that ever played football at New Haven".

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Famous quotes containing the words yale, fiction, popular and/or culture:

    A man who graduated high in his class at Yale Law School and made partnership in a top law firm would be celebrated. A man who invested wisely would be admired, but a woman who accomplishes this is treated with suspicion.
    Barbra Streisand (b. 1942)

    The beginning of human knowledge is through the senses, and the fiction writer begins where human perception begins. He appeals through the senses, and you cannot appeal to the senses with abstractions.
    Flannery O’Connor (1925–1964)

    If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work
    C. John Sommerville (20th century)

    To be a Negro is to participate in a culture of poverty and fear that goes far deeper than any law for or against discrimination.... After the racist statutes are all struck down, after legal equality has been achieved in the schools and in the courts, there remains the profound institutionalized and abiding wrong that white America has worked on the Negro for so long.
    Michael Harrington (1928–1989)