Worst Case Scenario (album)
Worst Case Scenario is the first album by Belgian alternative rock band Deus released in 1994. The cover art was designed by guitarist Rudy Trouvé. It contains the single "Suds & Soda", which became an underground hit and a fans favorite.
The album was first released in Belgium on the indie label Bang! with a different track listing: "Right as Rain" and "Great American Nude" (both tracks present on the Zea EP released in Belgium in 1993) are replaced by the song "Let Go". It was then released in the UK and Europe through Island Records with the track listing as written below.
The song "W.C.S. (First Draft)" contains a sample from Frank Zappa's "Little Umbrellas", from his 1969 album, Hot Rats.
Worst Case Scenario received good reviews internationally despite the hard time that the British media had to categorize its music into a genre. They finally called it Art rock (a definition which still bothers singer Tom Barman).
Worst Case Scenario reached Gold in Belgium, selling 30,000 copies. By April 2008, WCS had sold 270,000 copies worldwide.
Read more about Worst Case Scenario (album): Track Listing, B-Sides and Rarities (2009 Deluxe Edition Bonus Disc), Staff, Singles
Famous quotes containing the words worst, case and/or scenario:
“In default of inexhaustible happiness, eternal suffering would at least give us a destiny. But we do not even have that consolation, and our worst agonies come to an end one day.”
—Albert Camus (1913–1960)
“I love to weigh, to settle, to gravitate toward that which most strongly and rightfully attracts me;Mnot hang by the beam of the scale and try to weigh less,—not suppose a case, but take the case that is; to travel the only path I can, and that on which no power can resist me. It affords me no satisfaction to commence to spring an arch before I have got a solid foundation.”
—Henry David Thoreau (1817–1862)
“This is the essential distinction—even opposition—between the painting and the film: the painting is composed subjectively, the film objectively. However highly we rate the function of the scenario writer—in actual practice it is rated very low—we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.”
—Sir Herbert Read (1893–1968)