World War III In Popular Culture
World War III is a common theme in popular culture. Since the 1940s, countless books, films, and television programmes have used the theme of nuclear weapons and a third global war. The presence of the Soviet Union as an international rival armed with nuclear weapons created a persistent fear in the United States. There was a pervasive dread of a nuclear World War III, and popular culture reveals the fears of the public at the time. This theme in the arts was also a way of exploring a range of issues far beyond nuclear war. The historian Spencer R. Weart called nuclear weapons a "symbol for the worst of modernity."
During the Cold War, concepts such as mutual assured destruction (MAD) led lawmakers and government officials in both the United States and the Soviet Union to avoid entering a nuclear World War III that could have had catastrophic consequences on the entire world. Various scientists and authors, such as Carl Sagan, predicted massive, possibly life ending destruction of the earth as the result of such a conflict. Strategic analysts assert that nuclear weapons prevented the United States and the Soviet Union from fighting World War III with conventional weapons. Nevertheless, the possibility of such a war became the basis for speculative fiction, and its simulation in books, films and video games became a way to explore the issues of a war that has thus far not occurred in reality. The only places a global nuclear war have ever been fought are in expert scenarios, theoretical models, war games, and the art, film, and literature of the nuclear age. The concept of mutually assured destruction was also the focus of numerous movies and films.
Prescient stories about nuclear war were written before the invention of the atomic bomb. The most notable of these is The World Set Free, written by H. G. Wells in 1914. During World War II, several nuclear war stories were published in science fiction magazines such as Astounding. In Robert A. Heinlein's story "Solution Unsatisfactory" the US develops radioactive dust as the ultimate weapon of war and uses it to destroy Berlin in 1945 and end the war with Germany. The Soviet Union then develops the same weapon independently, and war between it and the US follows. The bombing of Hiroshima and Nagasaki in 1945 made stories of a future global nuclear war look less like fiction and more like prophecy. When William Faulkner received the Nobel Prize in Literature in 1949, he spoke about Cold War themes in art. He worried that younger writers were too preoccupied with the question of "When will I be blown up?"
Read more about World War III In Popular Culture: 1940s: Dawn of The Atomic Age, 1950s: Fears of The New and Unknown, 1960s: Expanding Popularity, 1970s: Fears Continue, 1980s: Belief in An Imminent Threat, 1990s: Fears Subside, 2000s: Concern Over Terrorism, 2010s: Present, See Also
Famous quotes containing the words world, war, iii, popular and/or culture:
“This seems to be advanced as the surest basis for our belief in the existence of gods, that there is no race so uncivilized, no one in the world so barbarous that his mind has no inkling of a belief in gods.”
—Marcus Tullius Cicero (106–43 B.C.)
“At last, after innumerable glamorous and frightful years, mankind approaches a war which is totally predictable from beginning to end.”
—Frederic Raphael (b. 1931)
“The army is the true nobility of our country.”
—Napoleon Bonaparte III (1808–1873)
“If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
—C. John Sommerville (20th century)
“Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.”
—Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)