World Magazines are magazines about specific foreign countries that help people of different countries, languages, and cultures to understand that country. Magazines that focus on many different countries from the perspective of the reader country are not 'World Magazines.' They are 'Global Magazines,' while magazines that are sold in many countries, but with no consistent focus on the culture and society of one country, are 'International Magazines.'
For example, a person in America wishing to learn about Japan could pick up the National Geographic, which is both a global and an international magazine, but only if it had a feature on Japan. Someone with a stronger commitment to understanding that country would be better advised to subscribe to a magazine that focuses entirely on Japan but with articles in his native tongue, unless, of course, he was bilingual.
If he was an English speaker, he could select a magazine like Tokyo Journal or Kyoto Journal, both of which are produced in Japan in English. A German reader would be able to choose Japanmarkt, although this is limited to business issues, rather than cultrual and social areas. Someone wishing to undersytand more about Azerbaijan could subscribe to Azerbaijan International. Although this is not produced in Azerbaijan, it focuses entirely on Azerbaijan and helps to promote understanding of that country, so it is therefore a world magazine. Indeed, often, due to limitations on the freedom of the press or security issues, a World magazine may need to be based in a foreign country.
Famous quotes containing the words world and/or magazine:
“Adolescence is a time when children are supposed to move away from parents who are holding firm and protective behind them. When the parents disconnect, the children have no base to move away from or return to. They aren’t ready to face the world alone. With divorce, adolescents feel abandoned, and they are outraged at that abandonment. They are angry at both parents for letting them down. Often they feel that their parents broke the rules and so now they can too.”
—Mary Pipher (20th century)
“Any one who knows what the worth of family affection is among the lower classes, and who has seen the array of little portraits stuck over a labourer’s fireplace ... will perhaps feel with me that in counteracting the tendencies, social and industrial, which every day are sapping the healthier family affections, the sixpenny photograph is doing more for the poor than all the philanthropists in the world.”
—Macmillan’s Magazine (London, September 1871)