Music
In a 1988 interview, Peter Buck described Green as an album that didn't feature any typical R.E.M. songs. Describing the band's standard output as "Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things", the guitarist noted that for Green, "We wrote major key rock songs and switched instruments." Singer Michael Stipe had reportedly told his bandmates to "not write any more R.E.M.-type songs". Bassist Mike Mills argued that Green was an experimental record, resulting in an album that was "haphazard, a little scattershot". Band biographer David Buckley wrote, "onically, Green is all over the place, the result being a fascinatingly eclectic album rather than a unified artistic move forward".
Green was reputedly envisioned as an album where one side would feature electric songs and the other, acoustic material, with the plan failing to come to fruition due to a lack of acoustic songs deemed fit for release. David Buckley highlighted three main musical strands on Green: "ironic pop songs" like "Stand" and "Pop Song 89", harder-hitting tracks such as "Orange Crush" and "Turn You Inside-Out", and "pastoral acoustic numbers" that had Peter Buck playing mandolin, with "The Eleventh Untitled Song" singled out as an anomaly. Buck had become fond of playing acoustic music with his friends in that period, and thus purchased an "oddly-shaped Italian mandolin-cum-lyre" in 1987; he would play the instrument on three of the tracks on Green. From this period onward, R.E.M. would swap instruments among members, and on Green the group also incorporated accordion, cello, and lap steel guitar.
Read more about this topic: World Leader Pretend (song)
Famous quotes containing the word music:
“Since a man must bring
To music what his mother spanked him for
When he was two ...”
—Gwendolyn Brooks (b. 1917)
“The great challenge which faces us is to assure that, in our society of big-ness, we do not strangle the voice of creativity, that the rules of the game do not come to overshadow its purpose, that the grand orchestration of society leaves ample room for the man who marches to the music of another drummer.”
—Hubert H. Humphrey (1911–1978)
“As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.”
—Baruch (Benedict)