Background and Recording
With the release of Document in 1987, R.E.M. fulfilled its contract with I.R.S. Records. Frustrated that its records did not see satisfactory overseas distribution, in early 1988 the band told I.R.S. head Jay Boberg that it was leaving the label. Guitarist Peter Buck also explained that his group felt it was being pressured to sell well by I.R.S., yet felt I.R.S.'s distributor MCA Records did not consider the ensemble a priority. R.E.M.'s management then approached any record companies that expressed interest in the band. Though other labels offered more money, R.E.M. ultimately signed a deal with Warner Bros. Records—reportedly between $6 million and $12 million—due to the company's assurance of total creative freedom. In light of its move to a major label, the band became defensive in interviews about accusations from some fans who claimed it was selling out.
R.E.M. began the album process by recording demos at Robbie Collins' Underground Sound Recording Studio in Athens, Georgia. Bill Berry, Peter Buck and Mike Mills recorded the basic tracks in two configurations: (1) guitar, bass, and drums and (2) percussion, mandolin, and accordion. The demos were mixed by Robbie Collins, Buren Fowler (guitar tech for Pete Buck and later member of Drivin' & Cryin'), and David LaBruyere (later bassist for Vic Varney, Michelle Malone, and John Mayer) and presented to R.E.M. management. Michael Stipe used these recordings for his vocal arrangements.
The band recorded the studio album at Ardent Studios in Memphis, TN with Scott Litt producing.
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