Architecture
Erected in 1889, the Opera House was designed and constructed by Elgin-based architect Smith Hoag at a cost of $25,000. The construction materials are mostly of local origin including lime-stone, terra cotta, fieldstone, white brick and sandstone. Its architectural style is a mixture of late Victorian-era tastes combined with Early American, Midwestern, Gothic and even Moorish elements. The interior is modeled after the showboats of the time, with dimensions and decorations that imitate many of those grand floating theatres.
In 1960, the Junior Civic Arts League invested time and effort to battle the increasing deterioration of the auditorium and stage. The Woodstock Fine Arts Association was formed in 1961 with the purpose of restoring the Opera House through the next decade.
In 1972, the Opera House was declared a "landmark" by the city and the Woodstock Opera House Community Center, Inc. was formed to raise funds for a restoration effort. The Opera House was later closed for two years of restoration work. It reopened in February 1977 and was renamed the Woodstock Opera House Community Center. Additional restoration projects were finished over the next twenty years and the Opera House was considered fully restored with the final addition of the front Portico in 1999.
The building continues to be owned and maintained by the City of Woodstock and local residents. It features historic furnishings, stained glass windows, tin ceilings, original woodwork and hand drawn stencil ornamentations.
In 2003, a new annex was completed and added to the Opera House on its adjacent lot. It provides disability access to the stage, a freight elevator, additional back stage areas, offices and the Stage Left Café.
Read more about this topic: Woodstock Opera House
Famous quotes containing the word architecture:
“No architecture is so haughty as that which is simple.”
—John Ruskin (1819–1900)
“I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.”
—Roy Lichtenstein (b. 1923)
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—Federico García Lorca (1898–1936)