Wonderland (musical) - Critical Reception

Critical Reception

Tampa and Houston reviews

John Fleming of the St. Petersburg Times expressed mixed feelings about the production. He called it "a visual feast, with dazzling costumes, marvelously funky dance and a flashy, high-tech production design," thought it "is loaded with talent onstage," and said the score "boasts one insanely catchy pop song after another." He continued, "But Wonderland also has a problem: It makes almost no sense. The book needs a major rewrite, and not just a tweak here and there. What Wildhorn and his colleagues...or somebody else can do to bring at least a measure of dramatic logic to the musical will ultimately decide its fate." He felt a scene in which Alice meets author Lewis Carroll "appears to be an attempt to give the show emotional depth", but "it is totally out of place, like dropping a scene from one of Wildhorn's Gothic pop operas into Legally Blonde," and the character of the Mad Hatter was a "casualty of the misconceived book" because "the story is so preposterous." He noted "El Gato and the jazzy Caterpillar ... have great solos to introduce Alice to Wonderland, but then have little to do the rest of the show."

Walt Belcher of the Tampa Tribune called it "a fun ride" but observed, "At this stage in the play's ongoing development, the parts seem greater than the whole as there are characters and songs along the way that excite and delight but there may be one or two more ballads than necessary." He thought Janet Dacal, as Alice, "so appealing in the role that we'd follow her anywhere. With a strong voice, great dance moves and flair for comedy, Dacal is a perfect fit for the role." Variety wrote that the musical "offers pleasures from an engaging cast, top Broadway designers and a catchy score that returns Wildhorn to his pop music roots" but felt "the story is confusing almost from the start, especially in the messier second act, when it drifts around and then rushes to an unemotional conclusion....here's not yet a delightful or tear-filled resolution".

The review of the Houston run in The Houston Chronicle stated: "The show boasts the appeal of Boyd's splashy staging, a talented cast led by vivacious star-in-the-making Janet Dacal and some striking design elements, including spectacular use of projections...Wildhorn delivers his trademark, conventional pop sound, boosted by some lively rhythms and catchy hooks here and there....Dacal is a find as Alice. Her singing is strong and sure, she moves well and projects spunky presence. ... The show's visuals are its strong suit. Neil Patel's sets are ingenious if somewhat slapdash in stylistic consistency....As a work in progress, Wonderland no doubt will continue improving. Even as it stands, for all the shortcomings, it's likely to please many who'll be happy enough with its bursts of flash, volume and grab-bag of references to those beloved Alice books."

Broadway

The show received negative reviews. However, The New York Times reviewer Charles Isherwood wrote that the musical is "peppily inspirational" and the "book displays flashes of fresh humor ... with a convoluted story line." The Wildhorn songs are a "competent rendering of various pop styles".

The show was one of the few new musicals to fail to receive a nomination for any major theatre awards.