History
Formed as the Girls Rodeo Association (GRA) in 1948, several of the original members were female ranchers who had been forced to take over family operations as husbands and fathers were called to service in World War II.
Though women had played an important role in rodeo's formative years in the mid-to-late nineteenth century, competing and winning against their male counterparts, by the time of the GRA's formation women's role in rodeo had been reduced to beauty pageants, with prizes (instead of prize money) such as cigarette cases. These women were exceptionally competent riders and ropers, whose skills had been honed working the open ranges of the American west, and they found it demeaning to be pushed to the extreme edges of rodeo.
On February 28, 1948, determined to stake their own special place in rodeo, 38 women met in San Angelo, Texas to form the GRA, with the primary purpose of advancing the position of women in rodeo everywhere. They drafted rules and created a point system for determining year-end champions. Then they went to work, persuading rodeo committees and producers to hold women’s contests according to GRA rules. Committees were given the option of choosing which event they would hold, and most picked barrel racing. In its inaugural year, the GRA had 74 members and held 60 events.
The events and membership grew, and in 1981, the name of the Association was officially changed from the GRA to the WPRA. Their next major goal was to promote equality between the women's barrel race and the other events held at PRCA rodeos by demanding prize money equal to the other men's events. They achieved their goals in 1985, becoming the first professional women's sports organizations to have fiscal equality with their male counterparts.
Read more about this topic: Women's Professional Rodeo Association
Famous quotes containing the word history:
“He wrote in prison, not a History of the World, like Raleigh, but an American book which I think will live longer than that. I do not know of such words, uttered under such circumstances, and so copiously withal, in Roman or English or any history.”
—Henry David Thoreau (1817–1862)
“Throughout the history of commercial life nobody has ever quite liked the commission man. His function is too vague, his presence always seems one too many, his profit looks too easy, and even when you admit that he has a necessary function, you feel that this function is, as it were, a personification of something that in an ethical society would not need to exist. If people could deal with one another honestly, they would not need agents.”
—Raymond Chandler (1888–1959)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)