Women Photographers - The Pictorialists

The Pictorialists

See also: Pictorialism

The use of photography as an art form had existed almost from the very beginning but it was towards the end of the 19th and the beginning of the 20th century that under the influence of the American Alfred Stieglitz its artistic potential, termed pictorialism, became widely recognized. Among Stieglitz' closest associates were Gertrude Käsebier (1852–1934) and Eva Watson-Schütze (1867–1935) who had turned to photography after studying fine art and were committed to developing artistic photography. Their association with Stieglitz led in 1902 to their becoming co-founders of the Photo-Secession movement. They went on to take romantic, yet well composed portraits which were presented at influential exhibitions. In addition, Käsebier is remembered for her portraits of Native Americans, soon becoming one of the most widely recognized professional photographers in the United States. Other prominent pictorialists included Käsebier's assistant Alice Boughton and Anne Brigman (1869–1950) with her images of nude women. Mary Devens (1857–1920) who experimented with printing techniques was like Käsebier elected a member of the British Linked Ring which has preceded Photo-Secession in promoting photography as an art form. The German-born Canadian Minna Keene (1861–1943) was also an early female member of the Linked Ring.

  • Gertrude Käsebier: Chief Iron Tail (1898)

  • Eva Watson-Schütze: A Study Head (1900)

  • Anne Brigman: Soul of the Blasted Pine (1908)

  • Gertrude Käsebier: Miss N, portrait of Evelyn Nesbit (1903)

  • Alice Boughton: Two Women under a Tree (1906)

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