Wolf Trap National Park for the Performing Arts, known locally in the Washington, D.C. area as simply Wolf Trap, is a performing arts center located on 130 acres (53 ha) of national park land in Vienna, Virginia. Through a partnership and collaboration of the National Park Service and the non-profit Wolf Trap Foundation, Wolf Trap National Park for the Performing Arts offers both natural and cultural resources.
Wolf Trap National Park for the Performing Arts began as a donation from Catherine Filene Shouse. Encroaching roads and suburbs led Mrs. Shouse to preserve this former farm as a park. In 1966 Congress accepted Mrs. Shouse's gift and authorized Wolf Trap Farm Park (its original name) as the first national park for the performing arts. On August 21, 2002, the park's name was changed to its present one, thus reflecting its mission while keeping the historical significance of this area.
Read more about Wolf Trap National Park For The Performing Arts: Performing Arts Venues, Enabling Legislation, Artists With 15 or More Appearances
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“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“A wolf will walk a thousand miles to eat people: a dog half way to heaven will still eat dung.”
—Chinese proverb.
“And boys, be in nothing so moderate as in love of man, a clever
servant, insufferable master.
There is the trap that catches noblest spirits, that
caught—they say—God, when he walked on earth.”
—Robinson Jeffers (1887–1962)
“The progress
Is permanent like the preordained bulk
Of the First National Bank
Like fish sauce, but agreeable.”
—John Ashbery (b. 1927)
“Therefore awake! make haste, I say,
And let us, without staying,
All in our gowns of green so gay
Into the Park a-maying!”
—Unknown. Sister, Awake! (L. 9–12)
“Bottom. What is Pyramus? A lover or a tyrant?
Quince. A lover that kills himself, most gallant, for love.
Bottom. That will ask some tears in the true performing of it. If I do it, let the audience look to their eyes.”
—William Shakespeare (1564–1616)
“The textile and needlework arts of the world, primarily because they have been the work of women have been especially written out of art history. It is a male idea that to be “high” and “fine” both women and art should be beautiful, but not useful or functional.”
—Patricia Mainardi (b. 1942)