Wolf Trap National Park for the Performing Arts, known locally in the Washington, D.C. area as simply Wolf Trap, is a performing arts center located on 130 acres (53 ha) of national park land in Vienna, Virginia. Through a partnership and collaboration of the National Park Service and the non-profit Wolf Trap Foundation, Wolf Trap National Park for the Performing Arts offers both natural and cultural resources.
Wolf Trap National Park for the Performing Arts began as a donation from Catherine Filene Shouse. Encroaching roads and suburbs led Mrs. Shouse to preserve this former farm as a park. In 1966 Congress accepted Mrs. Shouse's gift and authorized Wolf Trap Farm Park (its original name) as the first national park for the performing arts. On August 21, 2002, the park's name was changed to its present one, thus reflecting its mission while keeping the historical significance of this area.
Read more about Wolf Trap National Park For The Performing Arts: Performing Arts Venues, Enabling Legislation, Artists With 15 or More Appearances
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“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“Regna regnis lupi, The State is a wolf unto the State. It is not a pessimistic lamentation like the old homo homini lupus [Man is a wolf to Man], but a positive creed and political ideal.”
—Johan Huizinga (1872–1945)
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And makes a curse.”
—Gwendolyn Brooks (b. 1917)
“There is no national science just as there is no national multiplication table; anything that is national is not scientific.”
—Anton Pavlovich Chekhov (1860–1904)
“Linnæus, setting out for Lapland, surveys his “comb” and “spare shirt,” “leathern breeches” and “gauze cap to keep off gnats,” with as much complacency as Bonaparte a park of artillery for the Russian campaign. The quiet bravery of the man is admirable.”
—Henry David Thoreau (1817–1862)
“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“I should say that the most prominent scientific men of our country, and perhaps of this age, are either serving the arts and not pure science, or are performing faithful but quite subordinate labors in particular departments. They make no steady and systematic approaches to the central fact.... There is wanting constant and accurate observation with enough of theory to direct and discipline it. But, above all, there is wanting genius.”
—Henry David Thoreau (1817–1862)