Wolf Trap National Park for the Performing Arts, known locally in the Washington, D.C. area as simply Wolf Trap, is a performing arts center located on 130 acres (53 ha) of national park land in Vienna, Virginia. Through a partnership and collaboration of the National Park Service and the non-profit Wolf Trap Foundation, Wolf Trap National Park for the Performing Arts offers both natural and cultural resources.
Wolf Trap National Park for the Performing Arts began as a donation from Catherine Filene Shouse. Encroaching roads and suburbs led Mrs. Shouse to preserve this former farm as a park. In 1966 Congress accepted Mrs. Shouse's gift and authorized Wolf Trap Farm Park (its original name) as the first national park for the performing arts. On August 21, 2002, the park's name was changed to its present one, thus reflecting its mission while keeping the historical significance of this area.
Read more about Wolf Trap National Park For The Performing Arts: Performing Arts Venues, Enabling Legislation, Artists With 15 or More Appearances
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“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“And life, the flicker of men and moths and the wolf on the hill,
Though furious for continuance, passionately feeding, passionately
Remaking itself upon its mates, remembers deep inward
The calm mother, the quietness of the womb and the egg,”
—Robinson Jeffers (1887–1962)
“All Coolidge had to do in 1924 was to keep his mean trap shut, to be elected. All Harding had to do in 1920 was repeat “Avoid foreign entanglements.” All Hoover had to do in 1928 was to endorse Coolidge. All Roosevelt had to do in 1932 was to point to Hoover.”
—Robert E. Sherwood (1896–1955)
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—Kristin Hunter (b. 1931)
“The park is filled with night and fog,
The veils are drawn about the world,”
—Sara Teasdale (1884–1933)
“Do you see that kitten chasing so prettily her own tail? If you could look with her eyes, you might see her surrounded with hundreds of figures performing complex dramas, with tragic and comic issues, long conversations, many characters, many ups and downs of fate,—and meantime it is only puss and her tail.”
—Ralph Waldo Emerson (1803–1882)
“Eliot dead, you saying,
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My old Brother in the arts . . . and besides, he was a smash of
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—Robert Lowell (1917–1977)