Wolf Trap National Park for the Performing Arts, known locally in the Washington, D.C. area as simply Wolf Trap, is a performing arts center located on 130 acres (53 ha) of national park land in Vienna, Virginia. Through a partnership and collaboration of the National Park Service and the non-profit Wolf Trap Foundation, Wolf Trap National Park for the Performing Arts offers both natural and cultural resources.
Wolf Trap National Park for the Performing Arts began as a donation from Catherine Filene Shouse. Encroaching roads and suburbs led Mrs. Shouse to preserve this former farm as a park. In 1966 Congress accepted Mrs. Shouse's gift and authorized Wolf Trap Farm Park (its original name) as the first national park for the performing arts. On August 21, 2002, the park's name was changed to its present one, thus reflecting its mission while keeping the historical significance of this area.
Read more about Wolf Trap National Park For The Performing Arts: Performing Arts Venues, Enabling Legislation, Artists With 15 or More Appearances
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“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
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‘Tis thou that execut’st the traitor’s treason;
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—William Shakespeare (1564–1616)
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—Ralph Waldo Emerson (1803–1882)
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—Alexander Hamilton (1757–1804)
“Linnæus, setting out for Lapland, surveys his “comb” and “spare shirt,” “leathern breeches” and “gauze cap to keep off gnats,” with as much complacency as Bonaparte a park of artillery for the Russian campaign. The quiet bravery of the man is admirable.”
—Henry David Thoreau (1817–1862)
“When performing an autopsy, even the most inveterate spiritualist would have to question where the soul is.”
—Anton Pavlovich Chekhov (1860–1904)
“Women hock their jewels and their husbands’ insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.”
—John Dos Passos (1896–1970)