Composition
In the original album version, the song segues from "Have a Cigar" as if a radio had been tuned away from one station, through several others (including a radio play and one playing Tchaikovsky's Fourth Symphony), and finally to a new station where "Wish You Were Here" is beginning. The radio was recorded from Gilmour's car radio. He performed the intro on a twelve-string guitar, processed to sound like it was playing through a car AM radio, and then overdubbed a fuller sounding acoustic guitar solo. This passage was mixed to sound as though the guitarist was sitting in a car, listening to the radio; it also contains a whine that slowly changes pitch—emulating the electro-magenetic interference from the engine of a car as it accelerates and decelerates.
The intro riff is repeated several times and reprised when Gilmour plays further solos with scat singing accompaniment. At the end of the recorded song, the final solo crossfades with wind sound effects (reminiscent of "One of These Days" from the 1971 album Meddle), and finally segues into the second section of the multi-part suite "Shine On You Crazy Diamond".
The song borrows the imagery of a "steel rail" from Syd Barrett's solo song, "If It's In You", from The Madcap Laughs album.
Read more about this topic: Wish You Were Here (Pink Floyd Song)
Famous quotes containing the word composition:
“Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
—Vladimir Nabokov (1899–1977)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.”
—Mary Kay Blakely (20th century)