The Winslow Homer Studio is the historic studio and home of the artist Winslow Homer, which is located on what is now Winslow Homer Road on Prouts Neck in Scarborough, Maine. Maine architect John Calvin Stevens altered and expanded an existing carriage house to suit Homer's needs in 1884, even moving the building 100 feet for added privacy from his brother's neighboring summer home. The most dramatic element is a balcony the width of the building, from which the artist often painted in winter. The building is 44 by 53 feet (13 m × 16 m) and two stories high, for a total of 2,200 square feet (200 m2). Homer lived and painted in the studio from 1884 until his death there in 1910.
The studio was declared a National Historic Landmark in 1965.
The Portland Museum of Art acquired the building and surrounding grounds on January 31, 2006, closing both to the public during restoration projects. It was opened to the public in 2012, but may only be visited on a guided tour. The Portland Museum of Art undertook significant restoration of the building. Changes and additions made by members of the Homer family in 1938-39 were undone in order to preserve the studio as Winslow Homer left it in 1910. Some updates were also made to the property to enable it to function as a museum exhibit. The additions included plumbing and a restroom for visitors, electricity, security, and hidden steel reinforcements for the balcony (or piazza).
Famous quotes containing the words homer and/or studio:
“But it is fit that the Past should be dark; though the darkness is not so much a quality of the past as of tradition. It is not a distance of time, but a distance of relation, which makes thus dusky its memorials. What is near to the heart of this generation is fair and bright still. Greece lies outspread fair and sunshiny in floods of light, for there is the sun and daylight in her literature and art. Homer does not allow us to forget that the sun shone,—nor Phidias, nor the Parthenon.”
—Henry David Thoreau (1817–1862)
“[T]hose wholemeal breads ... look hand-thrown, like studio pottery, and are fine if you have all your teeth. But if not, then not. Perhaps the rise ... of the ... factory-made loaf, which may easily be mumbled to a pap betweeen gums, reflects the sorry state of the nation’s dental health.”
—Angela Carter (1940–1992)