Winds Of Change (Eric Burdon & The Animals Album)
Winds of Change is an album released in 1967 by Eric Burdon & The Animals.
The original band, The Animals, broke up in 1966 and this band was entirely new except for lead singer Eric Burdon and drummer Barry Jenkins, who joined the original lineup when John Steel left in February 1966. With the new band, featuring guitarist Vic Briggs, bassist Danny McCulloch and electric violinist John Weider, Burdon began to move from the gritty blues sound of the original mid-1960s group into psychedelic music.
The album opened with the sound of waves washing over the title track, "Winds of Change". "Poem by the Sea" is a spoken-word piece by Burdon with a swirl of echo-drenched instruments. "Good Times" and "San Franciscan Nights" were two of the most popular tracks, the latter breaking into the Top 10 in 1967. Burdon was a fan and friend of Jimi Hendrix and wrote the fifth track as an answer song to Hendrix's "Are You Experienced", which was still unreleased at the time the "answer" was recorded.
Read more about Winds Of Change (Eric Burdon & The Animals Album): Reception, Track Listing, Personnel
Famous quotes containing the words winds, change, burdon and/or animals:
“Bring me an axe and spade,
Bring me a winding-sheet;
When I my grave have made
Let winds and tempests beat:
Then down I’ll lie as cold as clay.
True love doth pass away!”
—William Blake (1757–1827)
“The will to change begins in the body not in the mind
My politics is in my body, accruing and expanding with every act of resistance and each of my failures.”
—Adrienne Rich (b. 1929)
“I wish I had the voice of Homer
To sing of rectal carcinoma.”
—J.B.S. (John Burdon Sanderson)
“I wish more and more that health were studied half as much as disease is. Why, with all the endowment of research against cancer is no study made of those who are free from cancer? Why not inquire what foods they eat, what habits of body and mind they cultivate? And why never study animals in health and natural surroundings? why always sickened and in an environment of strangeness and artificiality?”
—Sarah N. Cleghorn (1976–1959)